Mariana Carrilho

The Distant Mirror

Flor Do Ibo

Casting the female voice as a site of continuity and resistance

Mariana Carrilho

Mariana Carrilho is a Mozambican artist and operatic singer exploring the voice as a vessel for the unseen. Her work across music, poetry, audiovisual media, and performance is shaped by classical training and hybrid processes. Flor Do Ibo centers on original music, sound, and memory, with the female voice as a site of continuity and resistance.

Anchored in Ibo Island, home to the Mwani people,it weaves testimonies and local soundscapes into a musicallanguage blending ancestral knowledge, melody, and chant.

Conceived as an homage to her ancestors and to Mwani women facing war and displacement since 2017, it also draws on a colonial-era shop that stood between Black and European neighbourhoods as a metaphor for living between worlds.

Forecast Festival 2026, Radialsystem, Berlin. Photo: Camille Blake

Electronic music composer and sound artist Oleh Shpudeiko, professionally known as Heinali, has chosen to mentor singer Mariana Carrilho on her project, which will premiere at Berlin’s CTM Festival in January 2027.

Heinali said: “I understand mentorship as the transformation of potential energy into kinetic energy. In this spirit, I have chosen Mariana Carrilho, as her work stands to benefit most from my particular skill set and the deliberately out-of-place position of my artistic practice. Mariana possesses a clear awareness of both her strengths and her limitations, and she is unafraid to delegate processes beyond her expertise while focusing on what she does best. She is prepared to make a bold move into electroacoustic music—a territory she has not yet fully explored but which is essential for her artistic goals. Mariana seeks to cultivate a distinctive musical language through which she can engage meaningfully with history, tradition, and ancestral knowledge. Her work speaks from a position of non-belonging: between worlds, outside any fixed genre, tradition, style, or scene. She approaches these territories as tools for realizing her vision, unafraid of not fitting into established markets, scenes, or institutional frameworks. This artistic quality is exceptionally rare and harbors immense potential. I am thrilled to continue our work together.”