Explore the Festival's interdisciplinary program of performances, music, screenings, visual art, design, and stand-up comedy. Join the workshops, and exploratory walks led by fellows of the LINA network and alumni of the Forecast Mentorships program.
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11am–2pm
Ute Lindenbeck und Lena Düspohl: Children’s workshop / Kinderworkshop (German only)—Zwischen den Zeiten hören
für Tandems aus jungen und älteren Erzähler*innen (ab 8 Jahren)
Meine Oma ist in einer anderen Welt aufgewachsen. Sie sagt, die Zwiebeln haben damals anders geschmeckt. Über solche Unterschiede wollen wir sprechen. Ihr seid eingeladen, gemeinsam mit einer Person aus einer anderen Generation teilzunehmen: Enkel, Großeltern, Tante oder Eltern – Hauptsache, ihr habt Lust, euch Geschichten zu erzählen. Auch Einzelpersonen sind willkommen. Inspiriert von den Forecast-Künstler*innen entwickeln wir Fragen und tauschen Geschichten aus: Welche Lieder singst du gern? Wie war es, aufzuwachsen? Wovor hattest du Angst? Wir nehmen die Geschichten auf und experimentieren mit passenden Geräuschen. So entsteht ein kleines Hörspiel, das wir gemeinsam anhören.
Workshop von 11–13:30 Uhr, Gemeinsames Hörspiele Hören um 13:30 Uhr.
*Ute Lindenbeck und Lena Düspohl leiten gemeinsam das Programm Kidsuni an der Floating University Berlin.
2–4pm
Gustavo Gomes: Movement Workshop
Performing memory and telling stories with the body is a workshop-lecture by choreographer and performer Gustavo Gomes, whose research explores the intersections of memory and perception. Rooted in an embodied practice, the session begins with the direct experience of perception and gradually unfolds into a deeper exploration of bodily sensations and the awakening of memory. Through guided improvisation with movement and voice, somatic techniques, performative exercises, and the sharing of stories, participants are invited to tell stories with and through the body—engaging memory as a living, physical process that is constantly shifting and reshaped over time. Drawing on themes of embodiment, transformation, and sensory awareness, the workshop creates a space in which the body becomes both archive and medium, bridging personal experience with collective and perceptual inquiry.
3–6pm
LINA Fellow Oscar van Leest – Cracklebox Workshop
The Cracklebox Workshop is a hands-on, one-day session where participants (beginners and experienced alike) build a small electronic device that produces chaotic sounds when touched. The workshop combines soldering, exploration, and creative sound-making, encouraging experimentation with electronics and unconventional musical expression, ending with a collective sharing of the instruments.
4–5:30pm
LINA Fellow Joaquín Mora—Artistic walk exploring the sonic identity of a place
The sound that remains is an artistic exploration that invites participants to discover the sonic identity of a place through collective listening. Rather than analyzing sound from a technical or scientific perspective, the experience offers a shared experience of attention, where listening becomes a way to connect with the place and its people. During the walk, stories are shared and different sonic experiences are explored. Parts of the walk will take place in silence in order to deepen observation and perception. After the walk, a short ten-minute reflection circle invites participants to share their experiences collectively.
4:30–6pm
Flora Détraz, Screaming Workshop
Together with dancer and choreographer Flora Détraz, participants will explore screaming as a collective cathartic force—a tool for release, connection, and empowerment. Through vocal and physical experimentation, participants will be invited to free their voices and experience the intensity of a shared expressive energy.
Workshop: 1 hour
Followed by a vocal performance: 20 min
6:30–8pm
Nurah Farahat—Workshop und Closing Set: Building Audio-visual Instruments
Nurah Farahat will demonstrate how to build real-time audiovisual instruments from scratch. She will also take apart different instruments, walk us through their layers, and reassemble them differently along the way. This is more about method than it is about tools. How do you find your way through the complexity and the sheer number of options, softwares and topics? How do you stay oriented when you’re still figuring out what the instrument wants to become? Nurah Farahat will share the process behind her AV project KINDASA as it happens. Open to everyone, no prior experience needed.
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