Montréal-based musician and radio producer Julia E Dyck invites the audience to an immersive sound installation and radiophonic performance in five acts. Her multichannel radio drama Frequency Interference explores concepts of automation, posthumanism, and the relationship between identity and voice. Using live voice acting, choral and musical composition, visual projections, and audio effects, Dyck looks into the unexplored potential of publicly accessible sonic infrastructures.
Working in the category Beyond Radio with mentor Peter Meanwell, Dyck investigates the possibilities of implicating the listener in the active communal structuring and deconstructing of aural experiences. In her research-based work structured as a sonic sci-fi drama in five acts, Dyck addresses thematic inquiries that characterize and define the present moment: speculative identities, alternative kinships, and our connection to technology.
