Trà Nguyễn

Shapes of the Unknown

Mother doesn’t know Mnemosyne

A narration of complex relations between female figures of differing histories.

Trà Nguyễn

Trà Nguyễn is a Vietnamese theatermaker whose plays and set designs often resemble installations in which the performers move and act excruciatingly slowly.

Nguyễn developed a method called Verbatim Bodies, which posits the emergence of differing characters from a performer’s holding of space, thus allowing for a multitude of narrative possibilities.

Her short play evokes the Greek mythological figure Mnemosyne (Memory, the Mother of the nine muses) to narrate the complex relations between female figures of differing histories. It also serves as an experiment: if Verbatim Bodies works, the audience should be able to access a multitude of narratives arising from a few performing bodies.

 

In late October, 2024, Nguyễn will meet with artist Theo Eshetu, her mentor, for a work-stay at the German Academy Rome Villa Massimo, and will share insights into her work-in-progress with a local audience. 

Trà Nguyễn at the Forecast Forum, on her work for Forecast.