Tara Catherine Pandeya is in the midst of final rehearsals for her one-woman show at the Forecast Festival, which draws upon traditional dances to address topical questions of alterity and exclusion. In Raqsistan, The Land of Dance: A Cartography of the Body, she aims to stage physically innovative responses to conflicts heightened in our contemporary →

Tara Catherine Pandeya’s performance operates at emotional, gender-based, socio-historical, and geographic points of friction. In developing her Forecast project, the artist searches for ways to question borders through dance.  →