Here, he seeks to recover the forgotten, protest through memory, and transform this lost ballet into a queer performative simulation.
The final production of Sisters will be unveiled at the Forecast Festival, in March 2026.
              Polish choreographer and performer Wojciech Rybicki reclaims an unrealized ballet to explore the choreo-political potential of the practice of stage marking.
Rybicki uses marking to examine speculative gestures and alternative temporalities, reflecting on the unfulfilled promises of post-communism.
The work centers on a planned adaptation of Chekhov’s Three Sisters for the Wrocław Opera in 1989–90, which was never premiered. Rybicki questions whether the postcommunist revolution, meant to erase fear, also erased Chekhov from Wrocław’s repertoire.
          
          
          
    Here, he seeks to recover the forgotten, protest through memory, and transform this lost ballet into a queer performative simulation.
The final production of Sisters will be unveiled at the Forecast Festival, in March 2026.
Project Credits:
Costume support: Julia Hnatów
Audio support, video: Ernest Borowski
With voiceover from an interview with Sławomir Pietras, Director of the Wrocław Opera 1989–91.