Annika Kuhlmann’s proposal After Work examines the role of the contemporary artist in a society increasingly dominated by machines. As more jobs become automated, Kuhlmann imagines a post-work economy where immaterial labor resembles the work of artists. After Work will look at the possible institution-alization of art in a society where everyone can—and needs—to be →
Stefan Maier’s proposal questions the notion of freedom in the age of determinis-tic algorithms. Proposing a completely new direction for his work, Maier looks to explore and conceptualize human agency in a society dominated by feeds that socially condition our preferences and reinforce habitual modes of thinking. “I am interested in the speculative potential →
Anna Sobczak’s proposal explores the concept of nostalgia and passing down memories in several small villages deep in the mountains of southern Italy. “In extensive interviews, these villagers will be asked to define the memories and knowledge about humans they would like to pass on to an artificial intelligence. During these interviews I will →
Jesi Khadivi’s proposal explores the way environmental elements can function as carriers for political narratives in the Middle East. Building upon an image of a violent dust storm in her father’s home city of Ahvaz in Iran, Khadivi’s presen-tation will depict a series of dust storms—both real and imagined. “While the dust storms in →
Nichola Czyz’s proposal queries the meaning of nature in an anthropocentric world. Czyz intends to use her background in architecture to answer these questions by artificially simulating the environment of Mount Kinabalu in Borneo. The Foundation for Non-Anthropocentric Nature will explore the inter-action of the manmade and the natural, hypothesizing a manmade habitat for an →
What are the limits of individual responsibility? How can we respond to the problem of elitism? Julia Sokolnicka draws on her recent experiences to create a manual for approaching the Other, focusing on the emotional states that unite us when we are forced to leave our comfort zones. “I would like to use the →
Lisa Tuyala’s Forecast project blends electronic music, extended vocal technique, and deconstructed language to tell a story close to her heart. The German-Congolese artist will piece together her family narrative using the letters that her German mother wrote home to Duisburg in the 1970s while living in the Democratic Republic of the Congo (formerly Zaire) →
Tara Catherine Pandeya’s project is a one-woman multimedia show inspired by human emotions. The work is a fictional dance world of Pandeya’s own invention, choreographed using the traditions of ethno-contemporary Central Asian dance. “What are effective ways to express traditional and ethno-contemporary movement in a postmodern framework? How can one execute a harmonious synthesis →
Mathieu Bujnowskyj’s proposal responds to the way digital technologies are profoundly shaping modern society and the relationship we have to architecture. “Our society is now facing the emergence of a certain post-digital condition, where our economy, culture, social conventions, and inevitably architecture, too, are deeply influenced by the diffuse, long-term consequences of digital technol-ogies →
Tsao Yidi’s proposal is an interdisciplinary and international examination of representations and perceptions of the human brain. Tsao will utilize cultural history, art, literature, science, and technology to create a multifaceted exploration of the brain. “With the advancement of neuroscience and biochemistry in modern science, we have witnessed a paradigm shift in our understanding →
In his proposal for Forecast, Isaac Chong Wai will develop a series of performances dealing with the concepts of individualism versus collectivism, and the personal versus the public. “When it comes to the idea of the future, how can we prepare and practice the search for an idealistic space or a utopia in which everyone means everyone →
Stephen Kwok’s project dismantles the internal logic of wildly disparate events and reassembles them into a single cohesive experience. He investigates how sound can be manipulated to subtly shape mundane events. Is it possible to redirect the type of attention normally reserved for the sacred space of the theater? To what extent can the idea →
In his dissertation project, Mika Savela studied the curatorial strategies used to put rapidly growing cities in South China on display as novelties or even as paradigms for urbanization from the mid-1990s to 2000s. “Curating as a newly emerged discipline became (if only for a while) the main discursive space for projects on urbanism →
Liliana Piskorska’s video art proposal Public Displays of Affection tackles the tremendous changes Poland has undergone in recent years. “The deeply conservative new government has altered laws with shocking speed, bending democratic procedures in the process. In response, a wave of demonstra-tions has swept through Poland. Hundreds of thousands have taken to the streets →
The geolfaltoscope is a tool of Carlos Ramírez-Pantanella’s invention. It is a device emitting scented currents into city air to evoke olfactory landscapes in environments that are often far away. “Human beings inhale and exhale an average of 23,000 times a day, and every single flow of air is loaded with information. Scents act →
Flora Miranda’s proposal presents an application that collects data about a user’s online behavior to design a unique item of clothing specifically for him or her. “The vision is to create a data visualization app that takes full advantage of the virtual world and materializes user data in the form of luxurious garments. The →
Choreographer Joël Detiège’s project proposal Flambeaux examines the fictions of history and the facts of myth. He uses music and dance to tell the African diaspora’s story of struggle, perseverance, and triumph in New Orleans. Its members’ achievement is conveyed through the astounding array and quality of the music its history fostered, and the cathartic, →
Composer Maya Shenfeld’s proposal uses the structure and experience of a sound installation to explore the effect social media has on our everyday lives. “Recent political events such as the United States elections and Brexit have again highlighted the extent to which new media has come to play a defining role in the →
Video artist Beny Wagner’s proposal emerges from his extensive research into both the notion of the obscene as derived from ancient Greek theater, and how the meaning of this term has evolved over time. “The English word ‘obscene’ comes from the ancient Greek ‘ob skene,’ translating literally as ‘off-scene’ or ‘off-stage.’ The word embodies →
Renan Laru-an’s project proposal The Artist and the Social Dreamer is a curatorial plan that puts the medium of formal orations at the heart of an exhibition, focusing on forms of globalization created by the internationalisms of authoritarian leaders. Libyan Prime Minister Muammar Gaddafi, Imelda and Ferdinand Marcos, Nur Misuari, and other dictators have used →
Marina Andronescu’s project proposal focuses on a community of young people who have colonized the web of underground pipes and tunnels that provide Bucharest, Romania, with central heating. Her project develops architectural mechanisms intended to change these individuals’ immediate environment and the larger political situation, and to help them gradually transition to an above-ground existence. →
In her proposed project Mossy Haze, Katharina Rüter wants to develop an indoor design object that contains and sustains moss, trying both to span and fuse the worlds of architecture, design and nature. Mossy Haze implies a practical approach to the question how changing climate conditions could influence the way cities, buildings and especially indoor →
Amitesh Grover’s project proposal A Performapedia questions the notion of an archive based on objects and explores how we look at those forms of knowledge that are not embraced by modern archival strategies. The modern archive conventionally relies upon documents, art objects and photographs to build on history. Eventually, these objects themselves become the ‘historical’ →
Svenja Schüffler´s project proposal Installing Seismic Risk of Istanbul aims to visualize and discuss the seismic risk of Istanbul from an art-science perspective in the form of a real time simulation. The difficulty of perceiving and communicating seismic risk and the complexity of researching and making decisions in a situation of uncertainty are the main →
Elise Eeraerts’ proposed project Burning Mass is a film following the making of a vast site-specific sculpture in its original, natural environment. Intended to be monumental in scale, the sculpture will consist of massive manufactured clay components. The film focuses attention on the act of creating this sculpture and the process through which knowledge of →
Natalia Carrus’ proposed project Packarting Plastic is an experimental art project which seeks to raise consciousness for a sustainable shift in attitudes toward consumption that can satisfy actors at every level, from the consumer to the industrial. Every decade, global production of plastic doubles, and there is no end in sight. We have no clue →
With her project proposal Case Cortina Milena Kipfmüller proposes to develop a radio concert that conveys the acoustic particularities of various cities using field recordings, musical material and speech. “I would like to combine dramaturgical strategies with a composition that reacts flexibly to unforeseen situations and opens up discourse between urban space and the public →
Kabir Carter’s proposed project FdK Actions or the People’s Polymorph entails a personal yet societal engagement with the automobile brand Volkswagen. Through a series of deskilled, abstracted cannibalizations of Taylorist practices, he will put both Volkswagen car parts and Volkswagen’s corporate history together improperly in order to make something else, or nothing at all. “Through →